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| The All-Jazz Real Book - C Edition
C Instruments [Fake Book]
Sher Music Company
By Various. Jazz. Fake Book. 550 pages. Published by Sher Music Company. CD Incl...(+)
By Various. Jazz. Fake Book. 550 pages. Published by Sher Music Company. CD Included with the book contains 37 melodies played by the following artists:
Bob Sheppard - saxes and flute
Steve Houghton - drums
Dave Carpenter - acoustic bass
Paul van Wageningen - drums
Marc van Wageningen - electric bass
Larry Dunlap - piano and synthesizer
Dave Mac Nab - guitar.
(3)$44.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| The All-Jazz Real Book - Eb Edition
Eb Instruments [Fake Book]
Sher Music Company
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| The All-Jazz Real Book - Bb Edition
Bb Instruments [Sheet music + CD]
Sher Music Company
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| It Takes Four to Tango
Clarinet Quartet: 4 clarinets [Score and Parts]
Theodore Presser Co.
For 3 B-Flat Clarinets and Bass Clarinet (Quartet or Ensemble). By Daniel Dorff....(+)
For 3 B-Flat Clarinets and Bass Clarinet (Quartet or Ensemble). By Daniel Dorff. Wind quartet. For Clarinet I, Clarinet II, Clarinet III, Bass Clarinet. Score and parts. 4 pages. Duration 2:30. Published by Theodore Presser Company.
$16.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Tango
String Quartet: 2 violins, viola, cello
Schott
Score and Parts String Quartet (Score & Parts) SKU: HL.49045929 No. 7 ...(+)
Score and Parts String Quartet (Score & Parts) SKU: HL.49045929 No. 7 from: “Jazz-like. Partita for Piano†String Quartet Score and Parts. Composed by Erwin Schulhoff. Arranged by Wolfgang Birtel. String Ensemble. Classical. Softcover. 12 pages. Schott Music #ED22607. Published by Schott Music (HL.49045929). 9.0x12.0x0.057 inches. The Austro-Hungarian composer Erwin Schulhoff (1894-1942) was musically precocious: At the suggestion of AntonÃn Dvorák, he receivedpiano lessons at the age of seven, and at the age of ten became a student at the Prague Conservatory. Further piano studies in Vienna, Cologne and Leipzig as well as composition lessons with Max Reger supplemented his education. His Jewish heritage, which defamed his music as “degenerateâ€, and his sympathy for communism, however, cost him his life. In Prague and finally interned in Wülzburg near Weissenburg in Bavaria, he died of tuberculosis. Schulhoff's musical significance lies in the integration of jazz into art music, for example in his oratorio H.M.S. Royal Oak or in his Hot Sonata for alto saxophone and piano. He earned his living as a jazz pianist for a long time. In August 1922 he wrote four short piano pieces, his Rag Music, to which he added four more phrases in November: released as Partita, also known as Jazz-like Partita - with the fashion dances Ragtime, Foxtrott, Shimmy, Boston and - as No. 7 - a tango. From a piano to a string quartet movement, the arrangement presents itself as a delicate and smart, technically not too difficult sweet, suitable as a diversion or addition in a quartet program. Special Import titles are specialty titles that are not generally offered for sale by US based retailers. These items must be obtained from our overseas suppliers. When you order a special import title, it will be shipped from our overseas warehouse. The shipment time will be slower than items shipped directly from our US warehouse and may be subject to delays. $29.99 - See more - Buy online | | | |
| By the rivers of Babylon
Choral SATB
Barenreiter
Alto, Mixed choir (SATB), Piano SKU: BA.BA11309 Composed by Camille Saint...(+)
Alto, Mixed choir (SATB), Piano SKU: BA.BA11309 Composed by Camille Saint-Saens. Edited by Christina M. Stahl. This edition: urtext edition. Paperback. Score. Baerenreiter Verlag #BA11309. Published by Baerenreiter Verlag (BA.BA11309). ISBN 9790006577705. 27 x 19 cm inches. Text Language: English. It is a small music history sensation: Thanks to Yves Grard an unknown and unpublished manuscript penned by Camille Saint-Saëns has been unearthed in the Mdiathèque Jean Renoir in Dieppe in France.
It is the top four instrumental parts which make this manuscript something of a sensation. Placed under each other are â??Saxophone Soprano en Si bâ?, â??Saxophone Alto en Mi bâ?, â??Saxophone Tnor en Si bâ? and â??Saxophone Baryton en Mi bâ?, strings, soprano solo with chorus and organ. Musical history has hitherto credited Jean-Baptiste Singele (1812â??1875) with having written the first saxophone quartet, his opus 53, which he completed in 1857. Now this historiography clearly has to be revised. The date 1854 has been found under the first page of the treasure from Dieppe, which is pasted over and also sewn, meaning that Saint-Saënsâ?? work was written three years earlier than that of Singele.
In contrast to Singele, Saint-Saëns does not have the wind instruments taking solo parts but rather uses their tonal colour to depict textual moods and nuances. On the one hand the saxophones accompany the choral parts (certainly singable by amateurs) and support the human voices in fugal passages. On the other hand, they take the melody in the purely orchestral passages.
Saint-Saëns wrote the motet in the period when he had taken up his first permanent appointment as organist at the Church of Saint-Merri in Paris. He revised the work several times over the decades, changing the motifs at the beginning, correcting obvious mistakes, reworking the ending, eventually changing the instrumentation several times and even â?? probably in the final stage â?? replacing the Latin text with an English one. Today, three-and-a-half versions have been handed down, one of them stopping after just a few pages. The compositional steps have been successfully reconstructed by means of detailed detective work. Furthermore, the first saxophone version (BA 11305) and the last English piano version (BA 11309) have been edited to produce a scholarly-critical edition.
The present edition of the English version for soprano solo, choir and piano (BA 11309) serves both as a full score and as a vocal score due to the instrumentation.
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions
... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding
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| The Dreamers - A Gothic Tale for Horn Trio
Wilhelm Hansen
Horn; Piano; Violin (Score & Parts) SKU: HL.14042113 Score and Parts(+)
Horn; Piano; Violin (Score & Parts) SKU: HL.14042113 Score and Parts. Composed by Niels Marthinsen. Music Sales America. Classical, Contemporary. Softcover. Composed 2012. Edition Wilhelm Hansen #WH31620. Published by Edition Wilhelm Hansen (HL.14042113). ISBN 9788759826058. International (more than one language). THE DREAMERS for horn, violin and piano is the sixth of a series of seven compositions named after Karen Blixen's collection of short stories Seven Gothic Tales. My musical gothic tales are written for very different ensembles - THE SUPPER AT ELSINORE is a saxophone quartet, THE OLD CHEVALIER is for bass trombone and piano, THE MONKEY is a chamber orchestra work - but they all share musical material in a criss-cross of contextual references reminiscent of Blixen's narrative complexity: Themes and motivs from one piece appear in others in new and surprising shapes and combinations. Karen Blixen's THE DREAMERS has the most complex narrative structure of all her seven gothic tales.The story is made up of three tales with different narrators, but with the same principal caracter in various disguises, all three imbedded within a fourth tale that serves as a framework for the entire short story. The main story line unravels the life of a famous opera diva who looses her voice during a terrible fire. Before this her life was perpetual bliss, and the tragedy drives her into assuming different personality guises in order to escape reality. Toward the end she is confronted with her true identity, and dies. THE DREAMERS isn't 'about' anything. The music is inspired by the artistic content of Blixen's short story - it's emotionalism, dramatic construction, atmosphere, period and settings - but unfolds in time and musical space in ways that are completely independent of the story's narrative progression... except one might say that the three players try their best to either catch or escape each other, and that when they finally meet, it happens abruptly, even tragically - and only barely provides a little consolation. Duration: approximately 15 minutes. $66.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Children's Corner Suite (Version 2)
2 Clarinets (duet) [Score and Parts]
Alea Publishing
Composed by Claude Debussy (1862-1918). Arranged by Keith Terrett. For 2 clarine...(+)
Composed by Claude Debussy (1862-1918). Arranged by Keith Terrett. For 2 clarinets, alto clarinet, 3 bass clarinets. Classical; 20th century. Score and parts. 47 pages (score); parts vary. Published by Alea Publishing
$40.00 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
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